When: closing November 4, 2018
I had not been back to the Freer since its grand re-opening, so I was doubly anxious to see this show. I like Japanese screens very much, and I was eager to see what changes had been made.
I'm happy to report that my previous description of the museum: beautiful things, beautifully displayed, still holds true. I still felt a sense of relaxation just walking inside the doors. It is still my second favorite Smithsonian museum (a close second to the Sackler).
What I really like that's new is the use of red plaques in the rooms containing the permanent collection. They point out the highlights of each room, so if you have a short amount of time, you can see the "best" of the Freer very easily. For instance, I saw a knife, carved from a meteor that hit Japan in 1621, the only one of four that were crafted that survives to the present day. How great is that? It's art from outer space!
What I came to see was a display of Japanese screens, depicting a sense of place. Note that these are winter scenes, which were put up in spring and summer to give the viewer a sense of coolness. Very appropriate for DC in the summertime. The set of two that I photographed are called "Resilient Friendship." I love that term; aren't resilient friendships something we all need?
Verdict: It's the Freer, so it's wonderful.
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